
There's a statue in the British Museum of
Mithras, a god once worshipped in Britain. His temples are found all over what was once Roman Britain, from the Northern wall forts to the City of London.
The cult (gnostic, hermetic so not a religion) was spread by the Legions from the Mesopotamia to
Ultima Thule. Why this god was held in such devotion by the hard, tough men who constructed his marvellously theatrical temples, and carved the beautiful
tauronocties is a mystery. Literally in this case, it was not an evangelical, encompassing movement it was secret, contained, enigmatic.
What little we do know about it is fascinating and for some, disturbing. All notions of rank, nobility or degree were left at the door of the
Mithraeum, a rare democracy at any time, rarer still in the deep past. The only
hierarchy recognised was that earned
with in the cult; seven grades from the Raven through the Sun Runner to the Father, all achieved through a process of ordeal.
The unease for some comes from the many uncanny
similarities between
Mithraism and the far younger
Christianity. To pick just a few, both their gods have their birthday on December the 25
th, were born in stables of a virgin birth, and were first acknowledged by shepherds; both practised baptism (one in blood),
asceticism, a one-off redeeming
sacrifice for mankind, emphasised charitable acts and both held a last supper before their ascension. Both traditions hold
Sunday to be sacred and believed in an immortal soul.
Hmm, copyright issues?
Yeah, well all very interesting but the what the fuck does this have to with anything?
Glad you asked.
Well, I talked to Mithras just recently. And talking to him helped me make some decisions.
Nothing mystical about it, he is a god like any other created by man or woman, existing (only?) in the world of ideas, symbols. My connection to him came when my Dad showed me the statue many many years ago. He told me a little about this strange and mysterious god, and about his many analogues. Then held me up behind the head of the statue, who now gazes blindly down the aisles of display cases at the dust of his worshippers, and said See what this small god can see now; imagine how many changes he has seen pass before him in the centuries since he was carved. Imagine what he will see when we are dust.
Yep, my Dad really was like that. Working on the line at Fords could do that to you. I should know.
He put me down and I gazed up at the calm marble face and blank eyes and felt myself falling through
millennia. An epiphany. I had no sense that this was a god that had been passed by, a relic; rather that I was a flicker, a seconds shadow flashing past this eternal
unhuman gaze. I had been shown Deep Time, and was exhilarated, and terrified.
Since then, I return whenever I can to pay my respects to this calm, quiet idol. I'm taller than him now. We stand and stare at each other, or at least I stare at him. He gazes at
aeons.
To me he is an
occasional still point, one of the motionless points at the centre of the
gyres around which so much of my life revolves.
I tell him where I am, what's been happening, how I feel.
No answer, no message. None wanted or expected.
I'm talking of course to my dead Dad, to myself and to the ideas my Dad planted in me all though years ago. Although I am not immortal, I am part of something eternal, glorious, infinite and ultimately beyond pain, desire and suffering.
So, fight when you have to, love while you can, let go when you need to.
And adore, for your own sake, the universe that holds your beginning and your end.
Thanks Dad.
Sol
Invictus.